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Mitchell's contributions were radical in ways that had nothing to do with macho posturing and everything to do with writing narratives that presented as both feminine and universal, and crafting song structures that were the envy of every songwriter around the world. By 1971, the rest of the world shared Sainte-Marie's view: Mitchell was among the greatest new talents of her generation, and one of the only women in a landscape crowded by male folkies who monopolized the conversation and sought to establish themselves as the authoritarian voices of the counter-culture.

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The doctors didn't understand how to teach them how to breastfeed.' For more than half a century, Sainte-Marie has been an inspiration to many, carving a path for Indigenous artists and inspiring musicians, educators and activists of all backgrounds.Д«uffy Sainte-Marie carried Joni Mitchell's tape in her bag and played the unknown singer-songwriter's music for anyone who would listen, so convinced was she of Mitchell's genius. In an interview with CKOM she says, 'At the time, breastfeeding was totally overwhelmed by the formula companies so that young mothers recovering from childbirth, they would have a big basket of formula. From 1976-1981, Sainte-Marie was a regular on Sesame Street, speaking about breastfeeding, music and Indigenous culture. Instead of the requested counting appearance, she wanted to do Native American programming on the show, making Indigenous culture visible on an international platform.

In the 1970s, Sainte-Marie re-emerged on Sesame Street. That, combined with her efforts fighting for Indigenous rights, led Sainte-Marie to be blacklisted in the Lyndon Johnson and Richard Nixon years. In addition to her musical catalogue, she's been outspoken throughout her career, as early as when her song 'Universal Soldier' became an anthem for the 1960s peace movement. The result? A distinct, original sound that's timeless. Buffy Sainte-Marie has always been fearless with her work.